Tuesday, November 4, 2014

Pieces of Light: meet Emma

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Emma perused the flyer in the break room. Ballroom dance classes. No partner needed. Could she get the school to pay for the classes if she turned around and taught it to her fifth graders? She supposed not since she wasn’t a PE teacher. And how many fifth graders would want to learn ballroom dance? Most were too hooked to their booty shaking vulgar lyric stuff she’d never allow. Not at that age. Ballroom dance could be good for them. For posture. For grace. Health. She needed it for her own health, for her stamina.

The thought of doing it just for herself pulled at her, even if he’d laughed and said she was too entirely uncoordinated for dance. She didn’t think she was. And the idea of having something of her own for a change pulled at her hard. Why shouldn’t she? If she could arrange for someone to watch Patty that long...

With a sigh, Emma expected the fight of that would make it not worth the hassle.

Still, she thought about it through the rest of the day, through ten year olds giggling when they were supposed to be studying, through drumming history into their heads they’d forget through summer break.

It was nearly summer break. She should be able to insist on time off for herself at least twice a week. Maybe she would do extra tutoring to pay for someone to come sit with Patty just long enough for two classes a week. Some responsible teenager should be willing, and capable enough, and looking to make summer dough.

Deciding to ask around the break room the next day, Emma sighed a huge inaudible breath of relief as the last bell rang and told them all to have a good night and to study...

Her voice trailed off. She’d lost them. They wouldn’t hear if it she said it, so she didn’t bother.

Could she choose which ballroom dances she wanted to learn? Not the Latin dances. Too sexy to do with some stranger who also ended up there without a partner, especially if she got stuck with another woman, which she figured was entirely possible. How many single men went to ballroom classes on their own? And of those who would, how many would she want to Latin dance with? A light shudder ran through her system. Maybe she’d get a video instead and teach herself on nights she didn’t have Patty.

~~~
Pieces of Light
is part of the Dancers & Lighthouses series.
Find it HERE

Pieces of Light: meet Fillan

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Fillan tried to put his mind off work and onto the trail he was hiking at a near jog. Thoughts of Ireland streamed back into his soul as he looked out over the fauna of Cape Cod. And the girl. Had she come home yet? Had she bothered to notice he was away? He left without word. It was fair, Fillan figured, since she’d done the same. Purposely or not, she’d left him. She said she’d return, but then, that was a fair time ago. Last summer. She’d gone on an adventure, she said, she needed something new, time to figure herself out. How he hated that phrase. He knew he’d rolled his eyes when she said it, which helped nothing at all, of course, but he hated that phrase.

Time to figure yourself out. What was that, anyway? You were who you were, were you not? What was to figure out? How insipid did you have to be to not know, toward your later twenties, who in the hell you were yet? Or at least think you knew. What twenty-something didn’t at least think he had himself, or herself, all figured out?

An excuse, of course. She could have just come straight out and said, “Fillan, you’re boring me to tears and I have to leave you now.” He could respect that.

Turning the corner of the wood plank raised path out along the Cape, he got a nice glimpse of the Atlantic and paused, leaned his forearms on the weathered-wood railing, and watched seagulls dip and rise and make all kinds of racket. Noisy, raucous birds. He liked them about as much as he liked the figure yourself out phrase. Scavengers. Bullies, of sorts. He liked small quieter birds.

But then, he liked quiet. Peace. Calm. Boring, he supposed. She was right, whether she said it or not.

“Get a real job, Fillan, would you? What kind of a job is teaching outdated dances to elderly women who are there only to enjoy cozying up to sexy young men who are paid to be nice to them? It’s a boy’s job,” she’d said. “Get a man’s job. It’d be good for you.”

With a sigh and rolled eyes – and why not, since she couldn’t see it – he continued his walk-jog along the boardwalk.

Maybe later he’d go into the heart of Provincetown and wander the sidewalks, the shops, see what he could find not too touristy but reminiscent of Cape Cod to take back to his family at the end of the summer when real life would continue, when he’d have to make the choice to contact her again or not, to continue his “boy job” or change his path. Granted, it didn’t pay a lot. It had taken him forever to earn plane fare to the States to jump on the opportunity to teach ... different old ladies, American old ladies, instead of Irish old ladies.

Well, but they weren’t so much. Many younger women were coming to ballroom dance recently. That show on the telly, Fillan supposed. He hadn’t watched it. The idea of it buggered him. He bet they made good money, though, with their for-television “boy job” – but of course they were getting hand-picked celebrity students, not regular people who sometimes didn’t know their right foot from their left.

If it was bringing people into ballroom again, though, it couldn’t be all bad.

~~~~
Pieces of Light is part of the Dancers & Lighthouses series.
Find them HERE

Sunday, November 2, 2014

Getting Fresh

My books, that is. Getting fresh new shiny covers.

Want to see them? Of course you want to see them! Why else would you be here? (You’ll have to forgive me for the sappy start to this post: time change and age and all takes its toll.)

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So they’re only partly new. I couldn’t let go of my couples and their settings fully. I like them much better this way and I hope readers will, as well.

Appearance does matter. More than size. Or … well, maybe they equally matter.

Pier Lights and Shadowed Lights are both short novels. Pieces of Light is a novella, only 100 pages, and that’s 100 mass market sized pages. Don’t let the small size fool you, though. There’s plenty of punched packed inside those few pages. Many small things are very effective and often more powerful than large sized … um, books. It’s all in how you use it.

To announce the new covers, I’ve made Pieces of Light only $0.99 at Smashwords for a short time. You do have to use coupon code VT93E to get the 34% off regular price of $1.49, and it expires on November 14th, so don’t delay! It’s well worth your 99 cents and your bit of reading time if you love romantic stories with real characters and real-life situations and settings in contemporary times.

This series is also coming in print! They will only be available through Elucidate Publishing via direct order. They are mass market sized books, but they are not mass market printed. At least, not of yet.

Along with all of the other freshness going around, EllaMKaye.com will soon have a bright and shiny new website to accompany this blog.

~~ ~~ ~~
In other news, the first Artists & Cottages book is well underway and the second is coming into being during Nanowrimo 2014 this month. I got a good start on it yesterday and my heroine is already in quite the predicament.

Here’s the Pinterest board for the first book.
And Here is the second.

I already have thoughts for the fourth Dancers & Lighthouses novel, as well as for a first in a new series. Better get off here and get writing!

Happy November to everyone!

_____________

Friday, June 27, 2014

Guest Author: Linda Acaster


The Bull At The Gate – Handling Characters’ Emotional Arcs

I’m happy to welcome author Linda Acaster with her take on Lights in the Dark as related to her newest release, book 2 of the Torc of Moonlight trilogy: Bull at the Gate. 

I’ve read the first two books of the series and recommend them highly for any reader who loves intrigue, history, and supernatural elements. A review for the books will be posted at Elucidate Publishing.


Welcome, Linda!
~~ ~~ ~~

The Bull at the Gate, Book 2 in the Torc of Moonlight trilogy, has just launched. (Click here for Buy Links)

LindaAcaster-BullatGateWith Alice dead, Nick has moved to York, a mediaeval city of crooked half-timbered houses and tight cobbled streets where Viking re-enactors thrill the tourists. But York was once a Roman colonia that garrisoned the Ninth Legion, and the Sixth Victrix, and the stains of older, sacrificial, deaths lay buried deep in modern cellars. When a female student disappears the police start asking awkward questions about Alice, and Nick finds himself a suspect. Why has an artefact from the Temple of Mithras appeared on his desk? Could Alice and the girl be trapped together, and if he frees the girl can he return Alice to him?

The Bull At The Gate is a cross-genre novel that fits into Romantic Thriller, Crime, Suspense, Occult, Paranormal Romance... No matter the genre, I am writing about relationships, about ordinary people facing extraordinary circumstances and making decisions, and then standing or falling by the result. They take responsibility. They try to put things right.

The premise of the trilogy springs from British myth – a female water deity able to cross between planes: think the Lady of the Lake in the Arthurian legends. To modern connotations she was – is – an embodiment of Nature, of balance, which ticks to a slower clock than human beings. One particular deity, forgotten in the wilds of Yorkshire, is resurrecting herself. Neither good nor evil, she just *is*.

Because the deity is female, for balance across all three books my main character is male – Nick. In Book 1 he is a nineteen year old student who, like most of his gender and age, has no concept of his own mortality. Alice has borne losses in her life and tries to insulate herself from pain by remaining aloof. However, they are pledged by a force she senses but cannot see, that Nick comes to see but denies can exist. In so doing so, he sets them both on a path to disaster.

Despite its otherworldliness resonating in the background, the trilogy is set firmly in the real 21st century and readers can walk round York in Nick’s footsteps. When The Bull At The Gate opens it is three years after Torc of Moonlight closes. Nick does not stride from one storyline to the next as if nothing of note has occurred – he’s trying to emerge from Post Traumatic Stress Syndrome. He’s 22, been living again in the parental home, and a temporary job in York is his first step back into independence.

As the novel is primarily from his viewpoint I couldn’t label him as a sufferer because he doesn’t want to look the diagnosis in the eye. Instead I open with him experiencing some of the milder symptoms: interrupted sleep, sweats, panic attacks, low self-esteem... Not until halfway through the novel, when he is being interviewed by the police, is the label mentioned and his mental state questioned. Nick as portrayed is hardly regular hero material. Yet he is because he carries on regardless, and when the opportunity arises for him to put right the decisions he mishandled, he will not be swayed despite the toll it takes on his health.

None of us are the sum of a single character trait, though one may become more dominant during different sections of our lives. Part of the reason for each book having one historical and two contemporary storylines running parallel is to reflect one another at an oblique angle, to emphasise the ambiguity of accepting any one stance as “the truth”.

LindaAcaster-TorcofMoonlightFor the trilogy to work, Nick, and to a lesser degree Alice, have to evolve as people across the three books. From the euphoria of youth in Book 1 to being riddled with regret and guilt in Book 2, when Book 3 opens – three years later for symmetry – Nick has empowered himself with both knowledge and belief, and self-knowledge and self-belief, trusting them to be his sword and his shield. Life, though, no matter the plane, is never quite that simple. If it was I wouldn’t have a novel.

“..a beguilding tightrope walk..” “Fabulous! Can’t wait for more.”

“..a crafted blend of Crime, Thriller and Myth makes the reader question their grasp of reality..”


If you’ve enjoyed this post please give it a Tweet (below).

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Monday, June 16, 2014

Pieces of Light: The Story

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A Cape Cod grade school teacher. An Irish ballroom teacher visiting for the summer. A little girl who needs a lot of guidance and understanding.

On the shores of Provincetown, Massachusetts, three independent spirits are brought together by unpredictable tides of rapid change. Emma has survived an unsupportive marriage while supporting her family. Fillan is trying to balance his passion for dance with the realities of obligation. Eleven-year-old Patty has been tossed around by her mother's inability to deal with her own life, much less her daughter's autism. When fate brings them together, they must determine whether joining their lifeboats will provide an even keel or throw them further off-balance.

~~ ~~ ~~
Pieces of Light is a novella, ~33K words, sensual and non-graphic
$1.49 from
Smashwords (get Kindle format here)
BN.com
and soon at other ebook retailers


Saturday, May 10, 2014

Art … on Cover art. Imagine that.

3638-5x7lkhRemember the old romances? They tended to be rich and deep with all kinds of things weaved into the storyline. And their covers … were actual art. Drawn and painted.

Of course there was no stock art back then where cover artists could skim through and grab the images that looked right for the story. They had to really on artists. Many of them really did look pretty much the same and it wasn’t great art. Still, that was when I fell in love with fiction and with love stories. And art is in my blood.

I realize my covers are off the beaten path. No cover stock hunks showing their well-toned bare chests or buxom girls looking provocative appear on EMK books. Well, at least no real ones.

I like art. I like books with gorgeous photography, but even more, I like books with art covers. Watercolor. Oil. Acrylic. Even colored pencil. Done by skilled hands, those will catch my eye fastest when I’m browsing a bookstore in person or online. Maybe because there are so few of them recently. Maybe because I’m so into art. Maybe because I have a bit of a problem with looking at a real person on a cover and thinking I’m intruding on their life by picking up that book, even though I know they’re only models posing for a part.

Okay, EMK books look different than most romances. I fully acknowledge that fact. Maybe that’s a mistake. But I think writers must be true to themselves or readers will feel it.

So, my covers are artwork. Acrylic on watercolor paper. I like them that way. Even if they aren’t any bit more great art than those classic pre-stock art romances. They fit the storylines. They fit the character descriptions in the books. They fit the author.

Good enough for me.

The above painting in progress is for my next to come, a novella this time, which should be out before the end of May. Yes, it will have a couple in a romantic position when it’s finished. After all, there’s nothing wrong with hunky heroes and buxom (to whatever extent) heroines!


Sunday, April 27, 2014

Ballycurrin Lighthouse–a story in a story

BallycurrinLighthouse-PeterGouldingDo you read the comments under blog posts? I do. Often. Not always. I’m glad I do often, though, because some of the best material can come from comments.

This is Ballycurrin Lighthouse near Galway, Ireland. It’s the setting for a short scene in my current WIP which is currently unnamed. Most of the story is in Provincetown, Massachusetts, but my hero is from Galway so using this neat little lighthouse I found on Pinterest is a nod to him. Of course the inspiration of the photo is never enough for me. I research. I research a lot more than I end up using. While Fillan, my ballroom dance teacher hero, is contemplating something (can’t say much – no spoilers), this little lighthouse, the only inland lighthouse in Ireland according to my research, plays a part in his thoughts.

The photo [©Peter Goulding] and the post about how Mr. Goudling, lighthouse explorer, got to this spot to take this photo were indeed helpful in story development, although this scene is a very small part of the story. A comment about a story that varies from the “official” story of why this inland lighthouse was built caught my attention even more. It could be a story itself. In the least, it had to have a place in Fillan’s story.

The truth of why something was done is often of very small consequence to novelists. What a little story or myth does to the imagination is paramount, though. The story is the thing. It’s often far more interesting than “official” fact and who knows, it could be actual fact. It doesn’t matter much. Fiction should make you think, wonder, imagine, expand.

What if?

Part of me would love to write about the little “what if” behind this lighthouse that was left in the comments, but so far, my settings are mainly within the US. If it triggers anyone else to write about the lighthouse builder and his wife, I’d love to read it.

[
Find the original post and photo here. Thank you to Mr. Goulding for leaving permission to use your articles with acknowledgment.]

For other photos from the story and that inspired the story, see my Pinterest Board.